Lionsgate and Relativity Media's family action comedy THE SPY NEXT DOOR stars Jackie Chan as Bob Ho, an undercover CIA superspy who decides to give up his career in espionage to settle down with his next-door neighbor and girlfriend, Gillian (Amber Valletta). But Bob has one more mission to complete before Gillian agrees to marry him: winning over her three opinionated kids.
When Gillian suddenly has to leave town, Bob volunteers to babysit the children so he can earn their approval. But when one of the kids mistakenly downloads a top-secret formula from his computer, Bob's archenemy, a Russian terrorist, moves in for the attack, forcing Bob to juggle the roles of spy and prospective stepfather in the most challenging mission of his career! 
THE SPY NEXT DOOR is directed by Brian Levant (ARE WE THERE YET?, SNOW DOGS, THE FLINTSTONES) from a screenplay by Jonathan Bernstein & James Greer and Gregory Poirier and story by Jonathan Bernstein & James Greer.

ABOUT THE PRODUCTION
A bumbling pen salesman, Bob Ho appears to be just as nerdy and boring as his job. But this affable, seemingly harmless man - who secretly saves the world on a daily basis as a CIA superspy - is clearly much more than meets the eye. And so is the man who plays him. Modest and unassuming in person, Jackie Chan is a dynamic martial arts powerhouse, an international movie star, a selfless humanitarian, and a performer beloved by thousands of devoted fans around the world. For over 20 years, he was Asia's biggest box office star before he became internationally known for such blockbuster hits as RUSH HOUR, RUSH HOUR 2, SHANGHAI NOON, THE TUXEDO and SHANGHAI KNIGHTS.  Now, Chan lends his considerable talents to THE SPY NEXT DOOR, bringing his idiosyncratic brand of action and comedy to the family film genre.
"Jackie Chan is an icon," says producer Bob Simonds. "He's an incredible performer and draws audiences worldwide."
Chan was instantly attracted to the script and the comic possibilities of Bob Ho's particular challenge: winning over the distrustful children of the woman he loves. After meeting with Simonds in China he quickly signed on to the project. "The script has a little bit of everything," says Chan. "Action, comedy, romance, adventure - everything."
Adds Simonds, "This is a great role for Jackie. He does all the stunts typical of a Jackie Chan film, but he also gets to bring out his sensitive side. There are a lot of laughs and heartfelt moments."
With THE SPY NEXT DOOR, Chan appreciated the opportunity to try his hand at a family comedy that focuses on his relationship with kids. "I really like to make children laugh," he says. "I really enjoy hearing from kids that they like my movies."
When asked about his favorite scenes in the film, Chan mentions a moment when Bob has a heartfelt talk with his step-daughter-to-be about her parents' divorce. "We get to sit down and talk about ourselves," says Chan. "And it's a very touching scene. I think a lot of families have problems like these today and it's important to explore them in movies."
Once Chan was involved with the project, the film immediately attracted a wide array of talented actors and filmmakers. "Everyone on the film - actors and crew - wanted to work on a Jackie Chan film," executive producer Ira Shuman recalls. "Not only is he a legend, but his good will, generosity, and charm attracted everyone to the project."
In search of a director, Simonds turned to a colleague he trusted greatly, Brian Levant. Known for such hits as ARE WE THERE YET?, SNOW DOGS and THE FLINTSTONES, Levant specializes in family films and had already worked with Simonds on four previous projects. "I knew he would be a perfect fit for this film," says Simonds.  "He's an excellent comedic director and also works extremely well with kids."
The moment Levant heard about Chan's involvement, he enthusiastically committed to the project. "Jackie Chan is a unique talent," says Levant. "He has the ability to do incredible things before your eyes and make it look simple - to him, it is. He is so inventive and energetic. Every day with him is exciting. He knows about comedy as well. He's someone who lets you be loose and natural, and I think in comedy that helps a lot to try different things."
Levant's enthusiasm was echoed by screenwriter Greg Poirier, a long-time fan who even pitched a script in the late 90s specifically for Chan to star in. "Writing for Jackie Chan is a dream come true for me," says Poirier.
In the case of SPY NEXT DOOR, production had to move particularly quickly due to Chan's limited availability between other commitments. "We only had a few months to prep and cast the rest of the film and then shoot it in 38 days," says Shuman.
"I thought we were crazy to attempt such a fast schedule," admits Levant. "But we somehow made it through snowstorms, the flu and injuries and finished the show on schedule!"

Casting
With Chan and Levant on board, the remaining cast members were quick to commit to the project. Playing Chan's partner at the CIA is country star and actor Billy Ray Cyrus. "Every time I approach a new film project one of the first things I look at is the script," says Cyrus. "A script is like a hit song. It's gotta be on the page to make it to the stage, and I loved the script. It reads like a hit."
Cyrus was particularly excited to work alongside Chan and witness his talents first-hand. "Jackie's work ethic is exceptional," Cyrus says. "The guy is incredible. He never stops. He does everything perfectly and if it isn't perfect, he won't stop until it is perfect. When it's time to break and move to the next scene, he's the first guy picking up equipment, helping the crew. I've never seen anybody that hands on and so prepared."
"We were very excited to be working with Billy Ray Cyrus. I was unfamiliar with his acting and just knew him as a singer. He came across very naturally," says Shuman.
George Lopez, the star of the hit sitcom "George Lopez" explains the reason he wanted to do the film: "Two words - Jackie Chan." The filmmakers initially considered casting Lopez in Cyrus' role, but Lopez's unique combination of comedy and mystery made him the perfect choice to play Glaze, Bob Ho's trustworthy boss at the CIA who later turns against him.
"Both Billy Ray and George are big stars in their own fields and were very gracious in taking the parts to be involved in this film. Their participation makes the film more accessible to a wide audience," says Shuman.
Casting the part of Bob's love interest, Gillian, was crucial, as the chemistry between them is the reason Bob goes to such lengths to win over her children. "We wanted someone who could play the mother of three children and yet still be a romantic interest for Bob Ho," says Shuman. "Amber Valletta fit the bill perfectly."
Having a son of her own, actress and model Valletta brought all of her knowledge of motherhood to the part of Gillian. "She's really fun to play," says Valletta. "I liked this character. It was a nice departure for me. I really wanted to do something light that I could take my son to see."
Valletta also enjoyed the opportunity to work with children. "Working with kids is fantastic because you don't know what they're going to do," she says. "People always say don't work with children or animals because they'll always upstage you, but I loved it. They keep you in the moment."
Casting the children in the film required finding three young actors, from ages 4 to 14, who were equally adept at comedy and drama.  For the part of Ferren, Gillian's 14-year-old daughter who disapproves of her mother's relationship with Bob, the filmmakers turned to rising star Madeline Carroll. With her recent performance in the Kevin Costner's SWING VOTE, Carroll had demonstrated she was capable of serious work. But with THE SPY NEXT DOOR, Carroll had the opportunity to explore two new genres simultaneously. "In this movie I got to do action, but comedy as well which was really cool," says Carroll.
"I think that Madeline Carroll is going to be one of the top actresses of her generation," avows Levant. "She is so interested in the quality of her craft. Everyone was blown away by her."
Another surprise to the filmmakers was Will Shadley, who plays 12-year-old Ian. Making his feature debut, Shadley came to set full of energy and enthusiasm every day. "I really like working on films," exclaims Shadley. "Playing this character I got to unleash my inner geek. I got to use cool spy gear like a belt that turns into a sword. It's pretty cool, but I don't think I'd ever want to be a spy in a real life. There are too many bad guys coming after you."
"Will Shadley is quite impressive. He has an incredible ability with dialogue. He is well beyond his years," reports Shuman.
Having previously worked on a number of family films, Levant has developed various methods of working with very young actors. But most of his techniques didn't apply to 5-year-old Alina Foley, who plays Nora, the youngest of the three siblings. "I've worked with a lot of little kids and it's like pulling teeth," says Levant. "With Alina you just turn the camera and let her go, because you don't know what's going to happen with her! She is funny and different and it shows up on screen,"
Magnus Scheving, the actor who plays Poldark, Bob's nemesis, will be familiar to many young viewers as the star of the popular television series, "LazyTown." "I'm used to doing a lot of action because of the show I've been doing for the past five years," says Scheving. "The challenge for me was to go from playing the good guy to playing a villain. It was really difficult for me to change from being really nice to really mean."
Hailing from Iceland, Scheving overcame the challenge of speaking English with a Russian accent for his performance. But at times he found it difficult to communicate with Jackie, who speaks mostly Chinese. "There was one fight scene with Jackie where I didn't really understand if I should go closer or backwards, and I got hit right in the face!" laughs Scheving.

The action stunts and comedy
While THE SPY NEXT DOOR is clearly aimed at a family audience, the film still delivers on the action and stunts that fans expect from a Jackie Chan film. In this case, Chan concentrated on turning suburban settings into places with extraordinary potential. "We are doing 'normal' things in this movie in a typical Jackie Chan style," explains Chan. "I like to use the basic things around me for the stunts. The refrigerator, microwave, ashtray. We also wanted to make sure children can see it. I wanted this to be a PG movie."
Chan also adapted his stunts to match the character of Bob Ho. "My character is an ordinary spy. He's not a superhero. I wanted to design the stunts so the audience would believe them," he says. "I asked myself all the time, 'Can I do this?  Can I do that?  Will the audience accept it?'"
Stunt coordinator Bob Brown led a group of his own stunt men while working closely with Jackie Chan's stunt team, led by Wu Gang. Having worked as both a stunt man and a coordinator for many years, Brown was impressed by Chan's prowess and pleased with the melding of their two distinct styles. "Besides the fact that Jackie is a gift for any stuntman to work with, getting the east and the west to blend together was the most fun for me," says Brown.
"It's a very different approach," says Levant of Chan and his personal stunt team. "Usually you design things with storyboarding. Chan and his team have a different approach - it's almost always improvisational. Jackie and his six guys, who are from different countries and each have a unique talent, build a sequence on set from the ground up. It's also shot a little bit differently; they shoot things in small pieces. The level of perfection that they demand in each of those pieces is a bit staggering. It's all about movement and about doing as much as you can in each moment. They're not just trying to beat somebody up, they're trying to entertain you while they do it."
"Jackie has an incredible knowledge for comedy and stunt work. I've never worked with anybody like that. He thinks about what would be physically funny," says Valletta.
The presence of children on set also modified Chan's approach to his on-set stunt choreography. "Doing a stunt myself is easy, but when I have to do stunts with children, I have to be very, very careful.  I have to make sure they're very safe, so I prepare for the children. And I have to be very patient. They often don't listen to you!"
All three of the kids got to test out their physical talents with their first attempts at stuntwork. "I loved doing tricks," says Carroll. "It's fun but the harness is uncomfortable. Jackie makes you feel safe so it's really cool. The stunt team is great - they do lots of fun tricks with us."

Shooting the film: filming on location
With a mild fall and winter, Albuquerque served as an excellent backdrop for the production. Due to the film initiatives in New Mexico, a rapidly developing film community also provided the production with an outstanding crew and new shooting facilities. Levant, in particular, was thrilled to film in Albuquerque having attended the University of New Mexico as a college student. He visited his old haunts, including the University, which invited him to speak to current students about his career.
Filming on location also brought the crew together both on and off set. "The film wasn't all hard work," reports Shuman. "That's one of the great parts of being on location - the cast and crew can bond. Jackie would often take the crew out for a family style dinner."
"It was really hard to leave because we became like a family," says Carroll.
The crew also found ways to keep themselves entertained between scenes. Levant always had a volleyball in hand; Chan rode around on segways; and the kids played basketball. "During production I can't sit down for even an hour," Chan says. "If we had nothing to do, we would always play football or volleyball. Brian loves volleyball! He's the first director I've seen carry around a volleyball as he's yelling action!"
Apart from cutting loose on set, Levant managed to orchestrate a large, complex production with very little time and money.  "We were trying to make a 400 million dollar movie for a lot less," says the director. "Every day we had visual effects, stunts, animals, wire work, comedy, set pieces. We were having huge fights. We were cooking and making messes!"
But the director readily admits that he's very pleased with the result. "As soon as we put this group together, all the problems really went away. What we had built was a framework for Jackie to interact with the kids, Amber Valleta, George Lopez and Billy Ray Cyrus. When we turned all these personalities together it was like a comedy cuisinart and the consistency was perfect!"

JACKIE CHAN (Bob Ho) was Asia's biggest box office star for more than 20 years before he became an international super star by starring in such blockbuster hits as RUSH HOUR, RUSH HOUR 2, SHANGHAI NOON, THE TUXEDO and SHANGHAI KNIGHTS.  He also has produced, directed and starred in scores of famous Asian films, including RUMBLE IN THE BRONX, FIRST STRIKE, DRUNKEN MASTER, SUPERCOP, OPERATION CONDOR, CRIME STORY, MR. NICE GUY, ARMOR OF GOD and most recently, NEW POLICE STORY.
Born in Hong Kong to working class parents, Chan trained at the Peking Opera School from the age of seven to seventeen where he learned the various skills required for Chinese opera such as acrobatics, gymnastics, martial arts, weaponry, dance, singing, and dramatics.  By the time Chan graduated, Chinese opera was declining in popularity and he gravitated into film.
In the early seventies, Chan worked as a bit player and an action director.  Inspired by great film clowns like Buster Keaton and Harold Lloyd, Chan has invented a unique style for film, combining humor and death defying stunts which he has carried to extravagant heights that American films are only now attempting.  A superb martial artist and acrobat, Chan has built his legend by putting his life on the line for his movies.  In the montage of outtakes, which typically end his films, fans see the proof that Jackie Chan is still his own most amazing special effect.
Chan is the hero of the animated television series "Jackie Chan Adventures" and is a recipient of MTV's Lifetime Achievement Award.  In 2002, he received a star on the Hollywood Walk of Fame.  In addition to writing, acting and directing, Chan has a successful singing career and is active in numerous charities in Hong Kong and surrounding Asian countries.  Established in 1988, the Hong Kong based Jackie Chan Charitable Foundation (JCCF) helps impoverished children, the disabled and the elderly as well as students who are pursuing degrees in the sciences or performing arts and those how have been injured while filming movies.  Chan donated $1.5 million to fight the SARS epidemic. Chan donated money towards the Tsunami Relief Fund and was one of the stars at the "Crossing Borders" marathon charity concert in Hong Kong to raise funds for survivors of the tsunami. He continues to be an active good will ambassador of UNICEF.
Chan was the official ambassador to the 2008 Beijing Olympics and he is the official ambassador of tourism for Hong Kong, the 2010 World Expo in Shanghai and the 2010 Asian Games.
Chan will next be seen in THE KUNG FU KID which is being released by Sony on June 11, 2010.

ABOUT THE FILMMAKERS

For four decades, BRIAN LEVANT (Director) has been at the creative helm of some of the biggest franchises in family entertainment. Levant's credits include being the writer/producer of "Happy Days" and "Mork & Mindy." After winning the 1989 Cable Ace Award as Best Director in a Comedy Series, Levant turned his attention to writing and directing feature films. His feature credits include the original BEETHOVEN, the two Steven Spielberg produced Flintstone films, LEAVE IT TO BEAVER, SNOW DOGS, ARE WE THERE YET?, and "Scooby-Doo! The Mystery Begins."

JONATHAN  BERNSTEIN (Screenwriter) is a is screenwriter, author and journalist. He is the co-author of Just My Luck and Max Keeble's Big Move.  His Young Adult superhero novel Hottie is currently in bookstores with the sequel Burning Ambition available next year.

Novelist and screenwriter JAMES GREER (Screenwriter) was born in or near Boston, MA and has lived in Charlottesville, VA, New York City, Dayton, OH, Los Angeles, CA and a lot of other cities and towns. His novel Artificial Light won a California Book Award for best debut novel, and his follow-up, The Failure, comes out in March 2010. He is also the author of Guided By Voices: A Brief History, a biography about a band for which he played bass guitar. He is currently working on a rock musical about Cleopatra for Steven Soderbergh starring Catherine Zeta-Jones, and a slurry of other movie and literary stuff.

GREGORY POIRIER (Screenwriter) was born on Maui, where he was raised by wolves. Well, by hippies on a commune in the late 60's and 70's, which is basically the same thing. He attended Hawaii public schools, where he became heavily involved in theater on the high school and community level. He dropped out of high school and got a GED, then went on to get a Bachelors Degree in theater from USC and a Masters Degree in film from UCLA, which says more about the standards of those institutions than it does about him.
After writing low budget biker films and driving a taxi, Gregory won the WGA's Paul Selvin award for his first produced studio film, ROSEWOOD, directed by John Singleton. The Paul Selvin Award recognizes the script each year that best embodies the spirit of civil liberties and civil rights.
Gregory's other films include NATIONAL TREASURE: BOOK OF SECRETS, GOSSIP, SEE SPOT RUN, SOUND OF THUNDER, LION KING II: SIMBA'S PRIDE, and TOMCATS (which he also directed). He also does a ton of uncredited rewrites. His work can be seen in films such as THE SHAGGY DOG, GONE IN 60 SECONDS and EIGHT BELOW.
Production on his big screen adaptation of the TV series "Gunsmoke" is slated to begin production in May for a summer 2011 release.
Happily divorced and getting along better with his ex-wife than he ever did while married, Gregory lives in Agoura Hills with his two sons, William and Jojo, a black lab named Ringo and a python named Monty. He bleeds purple and gold.

The art of original filmmaking

Home