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THE ART OF ADAPTATION

Sherlock Holmes

www.sherlockholmesmovie.co.uk     
Read more about Sherlock Holmes: A Game of Shadows

The Story
Sherlock Holmes has made his reputation finding the truth at the heart of the most complex mysteries.  With the aid of Dr. John Watson, his trusted ally, the renowned "consulting detective" is unequaled in his pursuit of criminals of every stripe, whether relying on his singular powers of observation, his remarkable deductive skills, or the blunt force of his fists. 
But now a storm is gathering over London, a threat unlike anything that Holmes has ever confronted…and just the challenge he's looking for.
After a string of brutal, ritualistic murders, Holmes and Watson arrive just in time to save the latest victim and uncover the killer: the unrepentant Lord Blackwood.  As he approaches his scheduled hanging, Blackwood--who has terrorized inmates and jailers alike with his seeming connection to dark and powerful forces--warns Holmes that death has no power over him and, in fact, his execution plays right into Blackwood's plans.
And when, by all indications, Blackwood makes good on his promise, his apparent resurrection panics London and confounds Scotland Yard.  But to Holmes,
the game is afoot.
Racing to stop Blackwood's deadly plot, Holmes and Watson plunge into a world of the dark arts and startling new technologies, where logic is sometimes the best crime-fighting weapon…but where a good right hook will often do the job.
In a dynamic new portrayal of Sir Arthur Conan Doyle's most famous character, Robert Downey Jr. plays the legendary detective Sherlock Holmes.  Revealing fighting skills as powerful as his famous intellect, Holmes employs his own unique methods to get to the heart of a case, traveling where no one else would think to go to find what others cannot see.
Jude Law portrays Watson, Holmes's longtime colleague, who is joining him in what may be their last case before the doctor starts a new life as a married man. 

Screenwriters
MICHAEL ROBERT JOHNSON (Screenwriter/Story) counts Sherlock Holmes as his first screenplay credit. Johnson began making short films as a teenager on his mother's Super 8 camera in the early 1980s and went on to attend the London Film School in the late 1990s.  He spent subsequent years working as a focus puller/camera assistant, including, coincidentally, on the post-production pickups for Guy Ritchie's film Swept Away.
Johnson continued to write scripts during this period, primarily in collaboration with writer/director Duncan Jones.  They most recently collaborated on the screenplay for the upcoming feature project Mute.


ANTHONY PECKHAM (Screenwriter) most recently wrote the screenplay for the true-life drama Invictus. Currently, he is writing the screenplay for the undersea adventure thriller Deep Sea Cowboys for producers Alex Kurtzman and Roberto Orci.  His upcoming film work includes the screenplays for The Tourist, based on the book by Olen Steinhauer and being produced by George Clooney, and The Limit," based on the Michael Cannell book and starring Tobey Maguire.
Peckham counts among his previous credits the feature thriller "Don't Say a Word," starring Michael Douglas, and the Sci-Fi Channel miniseries "5ive Days to Midnight," with Timothy Hutton and Randy Quaid. 
Peckham grew up in South Africa, and went on to earn a degree in Political Science, Classical History and English at the University of Cape Town.  He added an Honors Degree in English Literature, studying the works of Raymond Chandler under Nobel Prize-winning author J.M. Coetzee.  In response to apartheid and influenced by Chandler, Peckham left South Africa to study filmmaking in California at San Francisco State University, where he earned an M.A. in Film. 


SIMON KINBERG (Screenwriter) most recently co-wrote and produced last year's hit sci-fi thriller "Jumper," directed by Doug Liman.  Kinberg also co-wrote "X-Men: The Last Stand," which had a record-breaking opening over the 2006 Memorial Day weekend.  He previously wrote Lee Tamahori's "xXx: State of the Union" and Liman's "Mr. & Mrs. Smith."
Born in London and raised in Los Angeles, Kinberg studied film and literature at Brown University, graduating Phi Beta Kappa, Magma Cum Laude in 1995.  He went on to graduate from Columbia University's film school, where he received the school's highest screenwriting award, the Zaki Gordon Fellowship.  While still in film school, he sold original pitches and wrote scripts for several studios, working with such filmmakers as Steven Spielberg, Jonathan Mostow, Stephen Sommers and McG.
His final thesis project for film school was the original screenplay "Mr. & Mrs. Smith."  He pitched the concept to award-winning screenwriter Akiva Goldsman, who became both the project's producer and Kinberg's mentor.  The film went into production in 2004, with Brad Pitt and Angelina Jolie starring under the direction of Doug Liman.  Released in Summer 2005, the film ultimately grossed more than $475 million worldwide, making it one of the year's biggest hits.
In 2005, Kinberg was named New Power Screenwriter of the Year by
Premiere Magazine and given Movieline's Breakthrough Award for Screenwriting.
Kinberg currently has several feature projects in development as a writer and producer.  He also has a production deal with Jerry Bruckheimer and Warner Bros. Television.


LIONEL WIGRAM (Story/Producer) started his production company, Wigram Productions, in 2006 with a deal at Warner Bros.  Since then, he has served as executive producer on the international blockbusters "Harry Potter and the Order of the Phoenix" and "Harry Potter and the Half-Blood Prince," and is an executive producer on the much-anticipated two-part film adaptation of "Harry Potter and the Deathly Hallows."  Wigram is currently working on a number of different film projects, also including the animated adventure "Guardians of Ga'Hoole," being directed by Zack Snyder and slated for release in September 2010.  He was previously an executive producer on the drama "August Rush," starring Keri Russell, Jonathan Rhys Meyers, Freddie Highmore, Robin Williams and Terrence Howard.
Wigram was educated at Oxford University, where he was one of the founding members of the Oxford Film Foundation.  He started working in the film business while still at Oxford, serving as a production assistant for producer Elliott Kastner during summer holidays.  Following graduation, he went to work for Kastner in California.  Wigram produced his first film, "Never on Tuesday," in 1987, followed by "Cool Blue," starring Woody Harrelson, and "Warm Summer Rain," starring Kelly Lynch, in 1988.  In the same period, Wigram was involved in the development of the early drafts of what would become "Carlito's Way." 
In 1990, Wigram became a development executive at Alive Films, where he worked on films by Wes Craven and Sam Shepard.  He also produced "Cool as Ice," and was an executive producer on Steven Soderbergh's "The Underneath."  In 1993, he started a chef management company, Alive Culinary Resources, with Alive owner Shep Gordon.  In addition to managing most of the top chefs in the U.S., they produced a cooking video series for Time Life, which featured Emeril Lagasse for the first time.
In 1994, Wigram joined Renny Harlin and Geena Davis's company, The Forge, where he headed up development.  Some of the projects on which he worked include "The Long Kiss Goodnight," "Cutthroat Island" and the HBO film "Mistrial."
Before his producing deal, Wigram was Senior Vice President of Production at Warner Bros for 10 years.  During his tenure, he was responsible for buying the
Harry Potter book series for the studio and subsequently overseeing the hugely successful film franchise.  In addition, he supervised such projects as "The Avengers," "The Big Tease," "Charlotte Gray," "Three Kings" and "The Good German."

Director
GUY RITCHIE directed the smash hit Sherlock Holmes, which opened on Christmas Day 2009 and went on to gross more than $516 million worldwide.  Prior to "Sherlock Holmes," Ritchie wrote, directed and produced the widely praised crime comedy RocknRolla.
He recently partnered with Lionel Wigram to form a new production company, which has a first-look deal with Warner Bros.  He also has several writing and directing projects in development, including the epic The Siege of Malta, as well as The Gamekeeper, based on a Virgin comic book series he created.
Born in London, Ritchie started in the UK film industry in 1993 as a runner on Wardour Street.  He worked his way up the ranks to directing music videos and commercials before writing and directing his first short film, The Hard Case, in 1995.
Ritchie made his writing and directing feature film debut with Lock, Stock & Two Smoking Barrels.  Made on a modest budget of $1 million, the film became one of the UK's biggest box office hits and made its U.S. premiere at the 1999 Sundance Film Festival.  The London Film Critics Circle named Ritchie the British Screenwriter of the Year for the feature, which also received a BAFTA Award nomination for Best British Film.  Lock, Stock & Two Smoking Barrels also went on to spawn a series of British gangster flicks and helped launch the Hollywood careers of several British actors, including Jason Statham, Vinnie Jones and Jason Flemyng. 
Ritchie followed with the 2000 hit Snatch, which he wrote and directed.  Following Snatch, Ritchie co-wrote and directed Swept Away, a remake of the 1974 Italian classic "Travolti da un insolito destino nell'azzurro mare d'agosto."  Ritchie continued to explore new challenges with the edgy crime thriller Revolver. In addition to Ritchie's feature film work, he has helmed a number of acclaimed shorts.  He directed Star, a short film featured in Series 1 of the popular BMW series The Hire.  He also collaborated with Nike to create the short Take It to the Next Level, which follows the rise of an up-and-coming Dutch footballer and featured some of the industry's best players.  The project brought Ritchie a Golden Lion at the 2008 Cannes International Advertising Festival.

A timeless character in an all new adventure
"Crime is common.  Logic is rare."
For generations, Sherlock Holmes has embodied the gift of seeing beyond the obvious--of discerning the truth from within the haze of deception.  Created in the late 19th century, in a series of stories and novels by Sir Arthur Conan Doyle, the brilliant detective has become one of pop culture's most enduring figures, whose adventures are among the most widely read in the history of the English language.
"He was probably the first superhero, an intellectual superhero," states Robert Downey Jr., the Oscar-nominated actor who takes on the title role in "Sherlock Holmes."  "He was, and probably still is, one of the most recognizable icons on Earth, so much so that a lot of people actually thought that Sherlock Holmes was a real person.  The more you look into Arthur Conan Doyle's books, the more you see what a rich character Sherlock Holmes is.  He's very adept at so many things: he plays violin, he's a martial artist, a boxer, an expert single stick fighter and a swordsman of sorts.  He has a strong moral code in helping good guys catch bad guys, so he has dedicated his life to being a consulting detective.  He doesn't do it to show everyone how smart he is, or that he has figured everything else out when they haven't; he's actually a crusader."
In this spirit, the cast and filmmakers of "Sherlock Holmes" set out to delve deeper into Conan Doyle's four novels and 56 self-contained short stories to peel back the layers on Holmes.  "We've tried to take him back to what we believe to be his origin, which is essentially a more visceral character," says the film's director, Guy Ritchie, who has been a Holmes
fan since childhood.  "We've tried to integrate that and make him more streetwise.  He is inquisitive about chemistry, martial arts, and the human condition.  Yet he managed to percolate through all the different echelons of English society, which was tremendously complex.  But then, as now, Sherlock Holmes is unique; there's really no one else like him.  I think that's why his appeal has stuck.  And while our story is rooted in London of the 1890s, we have tried to make it as contemporary as we possibly can."
"This film brings out qualities in Holmes that are relatively unknown but incredibly cinematic and true to the character and the adventures that Conan Doyle created," producer Joel Silver offers.  "The previous adaptations of Sherlock Holmes turned the stories into something a bit more detective
noir on the big screen over the years, but at their core, these were action novels.  Holmes really is an 1890s man of action, with insight and intelligence that eclipse everyone else around him, including Scotland Yard." 
The screenplay for "Sherlock Holmes" is by Michael Robert Johnson and Anthony Peckham and Simon Kinberg, from an original story by Lionel Wigram and Michael Robert Johnson.  Wigram, who is also a producer on the film, has been a fan of Holmes
since reading the stories as a child.  "When I became a producer, I reread all the stories and realized that there was a new way to do Sherlock," he says.  "Initially, I made a comic book, which was really a way to show how cool and fun Sherlock could be.  I also wanted to explore his humanity and vulnerability and the issues he has to deal with because of his genius; he's as modern a character now as he was back when he was originally created."
Wigram spoke to members of the Baker Street Irregulars, a group of Holmes experts from around the world who meet once a year in New York to exchange notes and ideas and discuss their hero.  "Meeting them was a humbling experience," Wigram recalls.  "I thought I was a fan and knew about Holmes, but it's nothing compared to the expertise and knowledge of these people.  They were also completely supportive of the film, which was an immense relief.  Les Klinger, one of the Irregulars' trustees and noted scholar of Sherlockiana, even advised us on language and factual details."
The filmmakers hoped to make "Sherlock Holmes" a movie-going experience that would create the kind of excitement that made the original works so popular and enduring.  "We really felt that we had an opportunity, with today's technology, to do justice to the story in bringing this incredible vision to life," says producer Susan Downey.  "There is a whole generation that doesn't know much about Sherlock Holmes beyond the name.  And there are longtime fans that have an affection for the deerstalker hat and the 'Elementary, my dear Watson,' which are not in this movie.  But we hope to be truer to the source material by bringing out the action in the stories.  We were able to take the scope of the stories, as well as what is suggested in the books, and put that on screen." 
"It's certainly an adventure, just as the stories seemed to me when I first read them," adds Jude Law, who plays John Watson.  "There's still the cerebral intrigue and science and suspense of the original stories, but there's also the brawling and mayhem that is faithfully brought in from the novels.  My great hope is that Conan Doyle fans really enjoy it because I've become a huge fan myself and am very respectful of the legacy.  I do think we've been faithful, but we've also injected our characters with dimensions that have never been brought out before.  Guy Ritchie is brilliant at making drama physical and incredibly skilled at keeping the energy high."
Silver agrees, noting, "Though this film takes place in the Victorian period, Guy's edgy sensibility and fresh approach to the material give you all the rich layers of mystery and drama you'd expect, but with unexpected action and humor that make 'Sherlock Holmes' an exciting and incredibly fun cinematic experience."

Friends and adversaries: the cast and characters
For Guy Ritchie, having Downey in the title role became the key to unlocking a new interpretation of "Sherlock Holmes."  "In my opinion, Robert is the perfect Holmes," says the director.  "He's American, but his English accent is flawless and he has an international feel to him.  In his own way, Robert's also a bit of a genius.  He's tremendously smart and quick-witted, and is very comfortable playing a character like Holmes without any artifice or pretension."
Holmes would not be who he is without Watson, his enabler, his collaborator, his friend.  As with Holmes, the filmmakers felt that the Dr. Watson of the books is far more of a dynamic character than the one depicted in past movies and television series.  "Watson has sometimes been portrayed as a sort of bumbling fool against Holmes's great, lofty genius," says Ritchie, "but that really isn't the case.  Watson is a much more significant individual than that.  They really are a team."
In "Sherlock Holmes," Watson is as tough as they come.  "He's a war veteran just back from the Afghan war; he's been wounded and has been through hardship," Wigram describes.  "He's a strong, physical man and he knows how to handle himself.  Although he's not a mad genius like Holmes, he's a very clever man."
In many ways, the casting of Jude Law as Watson was every bit as crucial as that of Downey as Holmes.  "It seems impossible to imagine anyone else being Watson once we cast Jude," says Ritchie.  "I wanted a good-looking Watson.  I didn't want him to be subservient or inferior, but rather a bit of a hero with an equal partnership with Holmes.  I believe that's to a degree what Conan Doyle was really after."   
Read more

First point of attack: the action

In the film, as in the books, both Holmes and Watson know their way around a fight and their skills are frequently tested.  Holmes is a skilled martial artist; this propensity links him with both the star and director of "Sherlock Holmes," as Downey and Ritchie have practiced martial arts for years, and worked together to create Holmes's distinct fighting style.  "Doyle called it Baritsu in the novels, which is tied to a 19th-century hybrid of jujitsu that is actually called Bartitsu, created by Edward William Barton-Wright," Downey explains.  "Jujitsu is Guy's chosen martial art.  Mine is Wing Chun Kung Fu.  So, we developed our own combination of martial arts styles for the movie."  Read more


From 221B Baker Street to the heights of Tower bridge: Piecing together Holmes's London
In creating a tangible feel of Sherlock Holmes's London, Guy Ritchie wanted to portray a city at the crossroads between the past and a newly dawning future--an expansive and gritty place with bold new architecture being layered over the old.  "As the center of the Industrial Revolution, London really was throbbing with enthusiasm and creative energy," Ritchie observes.  "Tower Bridge was being built, one of the many very ambitious things the Victorians were undertaking at the time." Read more


The Music
The final design element was the music of Hans Zimmer to accompany and enhance the drama, playfulness, action and intrigue.  "It was such a joy to work with Guy to capture the different tones of the worlds Holmes and Watson navigate, ranging from the halls of Parliament to a bare-knuckle boxing ring to the shadowy crypts beneath a cathedral," comments Zimmer, who was working with Ritchie for the first time.  "This story has so many textures and personalities, that it really gave us the opportunity to create a diverse language of music for the film." Read more


THE ART OF ADAPTATION

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