When the Chairman and CEO of Morgan Creek productions decided to make a "fresh western film that was appealing to today's moviegoer", he called on the best man for the job to write the screenplay for American Outlaws: screenwriter John Rogers, who was not only their best 're-write man', but started his career as a stand-up comedian and was also the writer and producer of The Cosby Show for 3 seasons. 

"We had a script about Jesse James, so we started working with writer John Rogers to make the concept exciting and fun, " says Robinson.

Screenwriter John Rogers first started his career as a stand-up comic, served as writer/producer on the hit series Cosby and after his third season in 1998, he signed an overall deal with Big Ticket Television, writing pilots for various networks. He also developed the animated series Jackie Chan Adventures with Jackie Chan. For the big screen he adapted Matt Wagner's comic book series Mage, and re-wrote several films for Morgan Creek productions: Flying Tigers, The Core, The Count of Monte Cristo and Rush Hour II. Currently, Rogers is writing Catapult, based on an original pitch, as well as a half-hour pilot for CBS.

"Throughout history, outlaws have always been popular, particularly among young people who consider themselves outlaws, rebelling against the older establishment," explains executive producer Jonathan Zimbert. "The James Gang is kind of like a rock and roll band out on the road on their first tour together. This is something today's audience can relate to."

The character of Jesse James has been immortalised in films and on television numerous times. Why make another film based on the legendary outlaw?

"Jesse, like Robin Hood, is the stuff of legend," says Zimbert. "There's a fascination we all have with someone who does the right thing and somehow runs afoul of the establishment and the pervading laws of the time."

"The myth of Jesse James represents one of those timeless fables where an injustice is rectified, where revenge is exacted," notes producer Bill Gerber. "Like so many other great heroic stories, people go back to Jesse James because it's become a story about triumph over evil."

"American Outlaws is about Jesse James in the same way Young Guns was about Billy The Kid," Robinson says. "It's loosely based on the story of this real person."

The producers selected director Les Mayfield to take the reins of this ambitious story. "We were looking for someone who would bring to the film the same qualities the script embodied," Zimbert says. "It's a mixture of character, action, comedy and heart, and when you look at Les' previous projects - Blue Streak, Encino Man and Flubber - you can see all those elements working together."

Robinson concurs. "When we met with Les, I could sense he had tremendous passion for this material. American Outlaws is a multi-layered film. It has a lot of action, great comic moments and its romantic. I knew Les would pull these elements together to make a great film."

Mayfield was eager to direct the ambitious project. "The western genre is very much an American icon," Mayfield observes. "I love westerns and I grew up with them. However, American Outlaws is a very different kind of western and that's what attracted me to this project. It's a Western that's been reinvented. We've put a new spin on an old tradition."

"As far as I'm concerned Jesse James is a myth," Mayfield continues. "His real life and demise are great mysteries. So we took this inspiration of Jesse James and made it into this film."

Besides the Jesse James myth, the film also explores themes that are both timeless and relevant to today. "The movie is about what happens when your life, your family, your land, all the things that are most important to you, are threatened," says star Colin Farrell. "What do you do? At what stage do you decide to say no and take up arms and fight for what you believe and fight for what is yours?"